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Gasometers at Clichy by Paul Signac

Gasometers at Clichy

Paul Signac·1886

Historical Context

Painted in 1886 and now at the National Gallery of Victoria, this view of the gasometers at Clichy is among Signac's most programmatic statements of Neo-Impressionist urban-industrial subject matter. Clichy, an industrial suburb northwest of Paris on the Seine, hosted gas storage facilities that formed part of the modern city's infrastructure — deliberately unglamorous subjects that the Neo-Impressionists embraced in contrast to Impressionist leisure scenes. Signac and Seurat both painted industrial and suburban Paris to assert that their scientific method could encompass the full range of modern life, not merely the picturesque.

Technical Analysis

The cylindrical gasometer towers are built from geometric clusters of warm and cool dots that describe their curving surfaces with more formal rigour than Impressionist brushwork would allow. Industrial greys and blues dominate the palette, with scattered orange and ochre accents marking warm surfaces against the cool overcast sky.

See It In Person

National Gallery of Victoria

Melbourne, Australia

Visit museum website →

Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
National Gallery of Victoria, Melbourne
View on museum website →

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Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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