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The Israelites Resting after the Crossing of the Red Sea by Christoffer Wilhelm Eckersberg

The Israelites Resting after the Crossing of the Red Sea

Christoffer Wilhelm Eckersberg·1815

Historical Context

The Israelites rest after crossing the Red Sea in this 1815 painting at the Statens Museum for Kunst, a biblical subject from Eckersberg"s Italian period. The moment of rest after the miraculous escape—with Pharaoh"s army drowned behind them—combines dramatic biblical narrative with the opportunity to depict a large group of figures in a landscape setting. Eckersberg developed marine painting into a scientific discipline, combining his academic training in perspective and proportion with direct observation of ships, rigging, and water effects.

Technical Analysis

The crowd of resting Israelites is organized with the compositional discipline of David"s school, the many figures arranged in readable groups within the landscape. The desert setting provides a warm palette of earth tones and golden light. The handling shows Eckersberg"s ability to manage complex multi-figure compositions.

See It In Person

Statens Museum for Kunst

Copenhagen, Denmark

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Neoclassicism
Style
German Neoclassicism
Genre
Religious
Location
Statens Museum for Kunst, Copenhagen
View on museum website →

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The Cloisters, San Lorenzo fuori le mura by Christoffer Wilhelm Eckersberg

The Cloisters, San Lorenzo fuori le mura

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View of the Cloaca Maxima, Rome by Christoffer Wilhelm Eckersberg

View of the Cloaca Maxima, Rome

Christoffer Wilhelm Eckersberg·1814

The Death of Balder by Christoffer Wilhelm Eckersberg

The Death of Balder

Christoffer Wilhelm Eckersberg·1817

A nude woman doing her hair before a mirror by Christoffer Wilhelm Eckersberg

A nude woman doing her hair before a mirror

Christoffer Wilhelm Eckersberg·1841

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