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The Battle of Anghiari by Leonardo da Vinci

The Battle of Anghiari

Leonardo da Vinci·1503

Historical Context

Leonardo's Battle of Anghiari, begun in 1503 for the Palazzo Vecchio's Sala del Gran Consiglio in Florence, depicted the Florentine victory over Milan at Anghiari in 1440 in what would have been the most ambitious battle painting in the history of art. Leonardo prepared obsessively — studying horses, corpses, and battle accounts — before beginning the work in a new experimental technique that failed catastrophically, the paint running before it could dry. The unfinished and subsequently lost work became Leonardo's most famous failure, known today only through copies and drawings that document the central cavalry melee. Vasari reported that he had seen traces of the work beneath later repainting, a claim that has motivated extensive modern investigation.

Technical Analysis

Known from copies, the composition's swirling vortex of interlocked horses and riders demonstrates Leonardo's unprecedented approach to depicting violent action, with furious energy contained within a tightly compressed pictorial space.

See It In Person

Palazzo Vecchio

Florence, Italy

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Quick Facts

Medium
Oil on canvas
Era
High Renaissance
Style
High Renaissance
Genre
History
Location
Palazzo Vecchio, Florence
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Ginevra de' Benci [obverse] by Leonardo da Vinci

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Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse] by Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse]

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More from the High Renaissance Period

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Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

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Lucrezia di Lippo di Iacopo Guidi

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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