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The sisters by Hugh Ramsay

The sisters

Hugh Ramsay·1904

Historical Context

Hugh Ramsay painted The Sisters in 1904, after returning to Melbourne from Paris, where deteriorating health had forced him home. The double portrait shows Ramsay translating the lessons of his Parisian years into a more intimate domestic context — the subject of sisters recalling the paired-figure compositions of Whistler and the tonal portrait traditions he had so thoroughly absorbed. Despite his illness, his technical control remained remarkable, and this painting is among the finest works of his brief final period in Australia. He died in 1906, aged twenty-nine.

Technical Analysis

The two figures are unified by Ramsay's near-monochromatic palette of greys and whites, with flesh tones providing the only sustained warmth. Brushwork is precise in the faces and looser across drapery. The close arrangement of the sitters creates quiet intimacy rather than the formality of traditional double portraiture.

See It In Person

Art Gallery of New South Wales

Sydney, Australia

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Art Gallery of New South Wales, Sydney
View on museum website →

More by Hugh Ramsay

Self-portrait in white jacket by Hugh Ramsay

Self-portrait in white jacket

Hugh Ramsay·1901

Jeanne by Hugh Ramsay

Jeanne

Hugh Ramsay·1901

Portrait of the artist standing before easel by Hugh Ramsay

Portrait of the artist standing before easel

Hugh Ramsay·1901

The foil by Hugh Ramsay

The foil

Hugh Ramsay·1901

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885