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Porta Angelica and Part of the Vatican by Christoffer Wilhelm Eckersberg

Porta Angelica and Part of the Vatican

Christoffer Wilhelm Eckersberg·1813

Historical Context

The Porta Angelica and part of the Vatican appear in this 1813 Roman view at the Statens Museum for Kunst, one of the architectural studies Eckersberg produced during his transformative Italian sojourn. The gateway, one of the entrances to the Vatican precinct, provided a subject that combined architectural interest with the warm Roman light that transformed Eckersberg"s palette. Eckersberg's religious works apply the same analytical clarity to devotional subjects that he brought to portraiture and marine painting.

Technical Analysis

The gateway and adjacent Vatican buildings are rendered with topographical precision, each stone course and shadow observed with analytical care. The Italian light models the architecture with warm, golden clarity. The palette features the characteristic tones of Roman travertine and plaster—warm ochres, creams, and the cool blue of the Italian sky.

See It In Person

Statens Museum for Kunst

Copenhagen, Denmark

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Neoclassicism
Style
German Neoclassicism
Genre
Religious
Location
Statens Museum for Kunst, Copenhagen
View on museum website →

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View of the Cloaca Maxima, Rome by Christoffer Wilhelm Eckersberg

View of the Cloaca Maxima, Rome

Christoffer Wilhelm Eckersberg·1814

The Death of Balder by Christoffer Wilhelm Eckersberg

The Death of Balder

Christoffer Wilhelm Eckersberg·1817

A nude woman doing her hair before a mirror by Christoffer Wilhelm Eckersberg

A nude woman doing her hair before a mirror

Christoffer Wilhelm Eckersberg·1841

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