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Little Wolf by Joseph Henry Sharp

Little Wolf

Joseph Henry Sharp·1900

Historical Context

Little Wolf at the Smithsonian American Art Museum adds another individual to Sharp's systematic portrait archive of Crow and other Plains people, with the name connecting this subject to the broader Plains tradition of animal-derived naming. Sharp's portraits were made during a period of profound disruption in Native American life: reservation conditions, the end of the buffalo economy, and forced cultural assimilation were transforming the communities he documented. His commitment to preserving individual likeness and cultural specificity gave his work an urgency beyond aesthetic achievement.

Technical Analysis

Sharp's direct, warm painting method suited the strong natural light of the Montana and New Mexico locations where he worked. He builds the figure from a warm ground tone, adding defining shadow passages that model the face's structure without the elaborate academic preparation of studio portraiture.

See It In Person

Smithsonian American Art Museum

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Smithsonian American Art Museum, Washington, D.C.
View on museum website →

More by Joseph Henry Sharp

Quinnah by Joseph Henry Sharp

Quinnah

Joseph Henry Sharp·1902

Y-yut-mat by Joseph Henry Sharp

Y-yut-mat

Joseph Henry Sharp·1900

Two Dogs by Joseph Henry Sharp

Two Dogs

Joseph Henry Sharp·1900

Yellow Wings by Joseph Henry Sharp

Yellow Wings

Joseph Henry Sharp·1900

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885