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Still Life With Carafe Silver Goblet And Fruit by Jean Siméon Chardin

Still Life With Carafe Silver Goblet And Fruit

Jean Siméon Chardin·c. 1739

Historical Context

Still Life with Carafe, Silver Goblet and Fruit by Chardin demonstrates his mastery in rendering the contrasting surfaces of glass, metal, and organic matter within a single composition. The carafe's transparency, the silver goblet's complex reflections, and the rounded warmth of fruit are three entirely different visual challenges that Chardin resolves into pictorial unity through his management of light and tonal values. The circa 1739 date places this in his mature middle period, after the domestic genre scenes of the 1730s had established his broader reputation and he was returning to concentrate on the still life investigations that had launched his career. Works like this demonstrate why Chardin was recognized not merely as a genre specialist but as a master of the fundamental problems of painting.

Technical Analysis

The contrasting surfaces—transparent glass, reflective silver, and matte fruit—are rendered with extraordinary sensitivity to the specific behavior of light on each material. Chardin's layered technique builds up the surfaces gradually, creating an uncanny sense of tactile reality.

See It In Person

Museum of Fine Arts Boston

Boston, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
33 × 45.4 cm
Era
Rococo
Style
French Rococo
Genre
Still Life
Location
Museum of Fine Arts Boston, Boston
View on museum website →

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The White Tablecloth by Jean Siméon Chardin

The White Tablecloth

Jean Siméon Chardin·c. 1731–32

Kitchen Utensils with Leeks, Fish, and Eggs by Jean-Siméon Chardin

Kitchen Utensils with Leeks, Fish, and Eggs

Jean-Siméon Chardin·c. 1734

Still Life with Herrings by Jean-Siméon Chardin

Still Life with Herrings

Jean-Siméon Chardin·c. 1735

The House of Cards by Jean Siméon Chardin

The House of Cards

Jean Siméon Chardin·probably 1737

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