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View of the Seine at Herblay by Paul Signac

View of the Seine at Herblay

Paul Signac·1889

Historical Context

Herblay, on the Seine northwest of Paris, was one of the riverside villages Signac visited during his early career when he was still primarily a painter of the Île-de-France landscape. The Seine at Herblay views date from around 1889-1890, a period when he was systematically applying divisionist theory to the range of landscape types available within day-trip distance of Paris. The calm river surface at Herblay, with its complex reflections of overhanging vegetation and sky, provided an ideal subject for demonstrating optical mixture: the water was a natural arena in which multiple colors from different sources merged.

Technical Analysis

The river surface dominates the composition, built from divisionist dots in blues, greens, and reflected warm tones of the riverbank vegetation. Signac uses the contrast between the relatively detailed bank and its simplified, optically mixed reflection in the water as the compositional engine of the painting.

See It In Person

Museum of Fine Arts Boston

Boston, United States

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Pointillism
Genre
Landscape
Location
Museum of Fine Arts Boston, Boston
View on museum website →

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Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885