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Nude on a Chair (Nu à la chaise) by Édouard Vuillard

Nude on a Chair (Nu à la chaise)

Édouard Vuillard·1904

Historical Context

Nude on a Chair (Nu à la chaise) is a studio nude that places the figure in a specifically domestic context — on a chair — connecting Vuillard's academic figure study practice to the furniture-as-subject theme central to his domestic interiors. The chair is not simply a support but a specifically observed piece of domestic furniture that Vuillard records with the same attention as the figure itself, continuing his democratic approach to pictorial subjects. The nude figure on a domestic chair removes any mythological or idealist pretence, situating the subject firmly in the real material world of lived domestic space.

Technical Analysis

The chair's structural form contrasts with the soft organic contours of the figure, creating a formal dialogue between geometric and biomorphic shape. Vuillard models the figure with relatively restrained chiaroscuro, maintaining overall surface flatness while establishing the nude's physical presence.

See It In Person

Los Angeles County Museum of Art

Los Angeles, United States

Visit museum website →

Quick Facts

Medium
cardboard
Era
Post-Impressionism
Style
Nabis
Genre
Nude
Location
Los Angeles County Museum of Art, Los Angeles
View on museum website →

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Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885