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Méry Laurent in a Black Hat by Édouard Manet

Méry Laurent in a Black Hat

Édouard Manet·1882

Historical Context

Méry Laurent was Manet's closest friend and confidante in his final years, and he painted her repeatedly from the late 1870s until his death in 1883. A celebrated courtesan with genuine artistic intelligence, Laurent was also close to Mallarmé and kept a salon that brought together the leading figures of Parisian artistic and literary life. The black hat of this portrait — a relatively small, intimate canvas now in Dijon — speaks to her position as a trendsetter whose fashion choices were noted and imitated. Manet's numerous images of Laurent constitute a sustained meditation on a friendship that sustained him through illness.

Technical Analysis

Manet captures Laurent with the economy of a painter who has drawn and painted the same face many times — the features are rendered with assured, minimal strokes that convey likeness without laboring over it. The contrast between the black hat and the pale, luminous face is characteristic of his late style's preference for strong tonal juxtapositions.

See It In Person

Musée des Beaux-Arts de Dijon

Dijon, France

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Quick Facts

Medium
pastel
Era
Impressionism
Style
French Impressionism
Genre
Portrait
Location
Musée des Beaux-Arts de Dijon, Dijon
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Still Life with Fish and Shrimp by Édouard Manet

Still Life with Fish and Shrimp

Édouard Manet·1864

Portrait of Antonio Proust by Édouard Manet

Portrait of Antonio Proust

Édouard Manet·1855

Head of a young man after the self-portrait by Filippo Lippi by Édouard Manet

Head of a young man after the self-portrait by Filippo Lippi

Édouard Manet·1853

Banks of the Seine at Argenteuil by Édouard Manet

Banks of the Seine at Argenteuil

Édouard Manet·1874

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Wind Effect, Row of Poplars

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Rouen Cathedral by Claude Monet

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Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

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