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The Presentation in the Temple by Jacques Daret

The Presentation in the Temple

Jacques Daret·1430

Historical Context

Jacques Daret's The Presentation in the Temple, dated around 1434 and now in the Musée des Beaux-Arts de la Ville de Paris (Petit Palais), is the third surviving panel from the Saint Vaast Altarpiece. The Presentation depicts the ritual of Purification — forty days after the birth of Christ, Mary and Joseph bring the infant Jesus to the Temple in Jerusalem, where the priest Simeon takes the child in his arms and prophesies his destiny. Daret again demonstrates his debt to Campin's workshop in the solid, three-dimensional figures and the attention to architectural setting, though the composition remains somewhat conservative compared to the most advanced Flemish work being produced at the same time.

Technical Analysis

Daret places the scene within a temple interior rendered with a new spatial coherence that owes much to Campin's architectural settings. Figures are individually characterized with the physical solidity that distinguishes the Campin tradition. The infant Christ and the aged Simeon create an intimate focal point within the larger architectural composition.

See It In Person

Musée des Beaux-Arts de la ville de Paris

Paris, France

Visit museum website →

Quick Facts

Medium
Oil on wood
Dimensions
57 × 52.5 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
Musée des Beaux-Arts de la ville de Paris, Paris
View on museum website →

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The Adoration of the Kings by Jacques Daret

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Jacques Daret·1430

The Nativity by Jacques Daret

The Nativity

Jacques Daret·1430

Portrait of an unknown man by Jacques Daret

Portrait of an unknown man

Jacques Daret·1440

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