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Portrait of a man by Corneille de Lyon by Corneille de Lyon

Portrait of a man by Corneille de Lyon

Corneille de Lyon·c. 1538

Historical Context

Corneille de Lyon's anonymous Portrait of a Man from around 1538 belongs to the large group of male portraits that document the professional and mercantile class of Lyon at the height of its commercial prosperity under Francis I. Lyon in the 1530s was France's largest city after Paris, a center of banking, silk manufacture, and print publishing that attracted ambitious men from across Europe. Corneille's blue-green backgrounds, precise costume detail, and immediate psychological presence gave his anonymous sitters a permanence and dignity that the bourgeoisie increasingly sought to rival in aristocratic self-presentation. The unidentified sitter's serious expression and good quality clothing suggest a successful professional or prosperous merchant commissioning a portrait as an assertion of achieved status.

Technical Analysis

The portrait maintains Corneille's signature approach of precise facial rendering against a colored ground, with economical but effective characterization.

See It In Person

Palazzo Bianco

Genoa, Italy

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Quick Facts

Medium
Oil on canvas
Era
Mannerism
Style
Northern Mannerism
Genre
Portrait
Location
Palazzo Bianco, Genoa
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Portrait of Louise de Halluin, dame de Cipierre by Corneille de Lyon

Portrait of Louise de Halluin, dame de Cipierre

Corneille de Lyon·c. 1555

Portrait of a Man by Corneille de Lyon

Portrait of a Man

Corneille de Lyon·c. 1555

Portrait of a Man with a Gold Chain by Corneille de Lyon

Portrait of a Man with a Gold Chain

Corneille de Lyon·1533

Portrait of a Man with a Pointed Collar by Corneille de Lyon

Portrait of a Man with a Pointed Collar

Corneille de Lyon·1533

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