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Self-Portrait by Paolo Veronese

Self-Portrait

Paolo Veronese·1560

Historical Context

Self-Portrait (c. 1560), in the Hermitage Museum in St. Petersburg, is one of the few surviving self-portraits by Veronese, who unlike many of his contemporaries rarely depicted himself as the primary subject of a painting. The artist presents himself with quiet confidence, his features rendered with the same luminous palette he applied to patrician sitters. Self-portraiture carried particular significance for Renaissance artists, asserting their intellectual and social status as creative individuals rather than mere craftsmen. The Hermitage's exceptional collection of Italian painting, built by Catherine the Great and her successors, includes major works by Veronese acquired from dispersed European collections during the eighteenth and nineteenth centuries.

Technical Analysis

The portrait presents the artist with direct, confident gaze against a neutral background. Veronese's handling of his own features demonstrates the same luminous flesh painting and refined characterization he brought to commissioned portraits.

Look Closer

  • ◆Notice the quiet confidence in Veronese's self-presentation — his features rendered with the same luminous palette he applied to patrician sitters.
  • ◆Look at the direct, confident gaze against a neutral background, demonstrating the same luminous flesh painting he brought to commissioned portraits.
  • ◆Observe the rarity of this image — unlike many contemporaries, Veronese rarely depicted himself as the primary subject, making each self-portrait particularly significant.

See It In Person

Hermitage Museum

Saint Petersburg, Russia

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
63 × 50.5 cm
Era
Mannerism
Style
Mannerism
Genre
Portrait
Location
Hermitage Museum, Saint Petersburg
View on museum website →

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Paolo Veronese·after c. 1571

The Annunciation by Paolo Veronese

The Annunciation

Paolo Veronese·c. 1580

Ezekiel by Paolo Veronese

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Paolo Veronese·c. 1558

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