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Be Be (The Nativity) by Paul Gauguin

Be Be (The Nativity)

Paul Gauguin·1896

Historical Context

Be Be (The Nativity), at the Hermitage Museum in Saint Petersburg, is Gauguin's Polynesian reinterpretation of the Christian nativity, painted in 1896. A Tahitian mother cradles her infant against a background of tropical colour and pattern, the Biblical subject entirely translated into the visual language of the Pacific. Gauguin was raised Catholic and maintained an ambivalent relationship with Christianity throughout his life, often using its iconography as a structural framework for images that challenged its universalism by demonstrating that its narratives could be reimagined in radically different cultural contexts.

Technical Analysis

Gauguin gives the composition the formal gravitas of religious painting — the mother and child are centrally placed, the surrounding space organised with ceremonial care — while every visual detail declares its Polynesian identity. The warm flesh tones, tropical flora, and flattened spatial depth refuse the European pictorial conventions that academic nativity painting took for granted.

See It In Person

Hermitage Museum

Saint Petersburg, Russia

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Hermitage Museum, Saint Petersburg
View on museum website →

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Idyll in Tahiti

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In the Waves (Dans les Vagues) by Paul Gauguin

In the Waves (Dans les Vagues)

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The Offering by Paul Gauguin

The Offering

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885