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Nicholas, St Lawrence, St Peter Martyr, St Antony the Abbot by Bartolomeo Caporali

Nicholas, St Lawrence, St Peter Martyr, St Antony the Abbot

Bartolomeo Caporali·1452

Historical Context

This religious painting from 1452 by Bartolomeo Caporali reflects the enduring importance of religious painting in the Early Renaissance. Bartolomeo Caporali brings distinctive artistic vision to the sacred narrative, creating a work that served both devotional and artistic purposes in fifteenth-century European culture. Created during the mature phase of the Early Renaissance, this work reflects a period when humanist learning and renewed interest in classical antiquity were reshaping artistic ambition across Europe.

Technical Analysis

Tempera technique, reflecting earlier traditions, the religious composition demonstrates Bartolomeo Caporali's skilled technique and careful observation in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.

See It In Person

Hermitage Museum

Saint Petersburg, Russia

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Quick Facts

Medium
Tempera
Dimensions
23 × 62 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Hermitage Museum, Saint Petersburg
View on museum website →

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Francis of Assisi, St Herculanus, St Luke and Apostle Jacob the Elder by Bartolomeo Caporali

Francis of Assisi, St Herculanus, St Luke and Apostle Jacob the Elder

Bartolomeo Caporali·1452

The Virgin and Child enthroned with two angels by Bartolomeo Caporali

The Virgin and Child enthroned with two angels

Bartolomeo Caporali·1452

La Vierge et l'Enfant by Bartolomeo Caporali

La Vierge et l'Enfant

Bartolomeo Caporali·1450

Angel making music. by Bartolomeo Caporali

Angel making music.

Bartolomeo Caporali·1450

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Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

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