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Esther before Ahasuerus by Jan Steen

Esther before Ahasuerus

Jan Steen·1660

Historical Context

Esther before Ahasuerus, one of Steen's treatments of Old Testament narrative, belongs to his engagement with sacred subjects alongside his genre paintings. The Persian queen risking her life to approach the king and plead for her people offered Steen the combination of narrative drama and social observation he could apply to the royal court setting. His treatment of the biblical court as a seventeenth-century Dutch interior — peopled with figures in contemporary dress, furnished with domestic objects recognizable from his genre scenes — was characteristic of his approach to sacred narrative, domesticating the ancient and exotic within the familiar world of Dutch daily life.

Technical Analysis

The theatrical scene is staged with careful attention to the exotic costumes and architectural setting. Steen's narrative skill creates a believable moment of dramatic confrontation between the kneeling queen and the enthroned king.

See It In Person

Hermitage Museum

Saint Petersburg, Russia

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
106 × 83.5 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Religious
Location
Hermitage Museum, Saint Petersburg
View on museum website →

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The Family Concert by Jan Steen

The Family Concert

Jan Steen·1666

Merry Company on a Terrace by Jan Steen

Merry Company on a Terrace

Jan Steen·ca. 1670

The Dissolute Household by Jan Steen

The Dissolute Household

Jan Steen·ca. 1663–64

The Lovesick Maiden by Jan Steen

The Lovesick Maiden

Jan Steen·ca. 1660

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

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