Portrait of a man in a beret.

Tommaso Lunetti was a Florentine painter whose work reflects the transmission of Ghirlandaio's portrait tradition into the High Renaissance. This Portrait of a Man in a Beret, from around 1520 and held in Warsaw's National Museum, typifies the understated Florentine approach to male portraiture — the sitter defined by bearing, dress, and quiet self-possession rather than emblems or allegorical apparatus. The beret was a common marker of educated bourgeois or professional status in the period. The painting's presence in Warsaw reflects the broad dispersal of Italian Renaissance works through princely collections across Europe in later centuries.

The sitter is placed in three-quarter view against a dark neutral ground, the face modelled in warm flesh tones with careful attention to the texture of skin and hair. Drapery at the shoulder is summarily indicated, keeping the focus on the face.