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Smiling Girl, a Courtesan, Holding an Obscene Image by Gerard van Honthorst

Smiling Girl, a Courtesan, Holding an Obscene Image

Gerard van Honthorst·1625

Historical Context

Gerard van Honthorst painted Smiling Girl, a Courtesan Holding an Obscene Image around 1625, a candlelit genre scene in the Caravaggesque tradition of erotic and morally ambiguous female figures. Honthorst's Italian years — he spent nearly a decade in Rome where he was called Gherardo delle Notti (Gerard of the Nights) for his mastery of candlelit scenes — gave him a thorough command of tenebrism that he brought back to Utrecht and eventually to the Dutch court. The smiling courtesan, candlelit and provocative, represents one pole of his genre output alongside his more devotional religious compositions — the full social range of Caravaggesque subject matter translated into the Dutch market.

Technical Analysis

The warm candlelight illuminates the woman's knowing smile and the image she holds, with Honthorst's characteristic golden tonality and smooth paint handling creating an atmosphere of seductive intimacy.

See It In Person

Saint Louis Art Museum

St. Louis, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
81.3 × 64.1 cm
Era
Baroque
Style
Dutch Golden Age
Genre
Religious
Location
Saint Louis Art Museum, St. Louis
View on museum website →

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The Concert by Gerard van Honthorst

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A Young Girl Wearing a Lace Collar by Gerard van Honthorst

A Young Girl Wearing a Lace Collar

Gerard van Honthorst·ca. 1635

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