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Arnolfini Portrait by Jan van Eyck

Arnolfini Portrait

Jan van Eyck·1434

Historical Context

The Arnolfini Portrait of 1434 is Jan van Eyck's most famous work and one of the most analyzed paintings in Western art. It depicts Giovanni di Nicolao Arnolfini, an Italian merchant in Bruges, with a woman (traditionally identified as his wife). The convex mirror reflecting the scene and the artist's prominent signature ("Jan van Eyck was here") have generated centuries of scholarly debate about whether the painting records a marriage ceremony or serves another commemorative purpose.

Technical Analysis

Van Eyck's oil technique reaches its apogee in the rendering of textures—the chandelier's brass, the mirror's convexity, the dog's fur, the fabrics' weight—with each surface rendered through precise glazing that creates almost photographic verisimilitude.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
82.2 × 60 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Portrait
Location
National Gallery, London
View on museum website →

More by Jan van Eyck

The Crucifixion; The Last Judgment by Jan van Eyck

The Crucifixion; The Last Judgment

Jan van Eyck·ca. 1436–38

Virgin and Child in a Niche by Jan van Eyck

Virgin and Child in a Niche

Jan van Eyck·ca. 1440–50

The Annunciation by Jan van Eyck

The Annunciation

Jan van Eyck·c. 1434/1436

Ghent Altarpiece by Jan van Eyck

Ghent Altarpiece

Jan van Eyck·1432

More from the Early Renaissance Period

Pietà by Cosimo Tura

Pietà

Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450