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Circumcision of Jesus by Albrecht Dürer

Circumcision of Jesus

Albrecht Dürer·1494

Historical Context

Circumcision of Jesus, from the Seven Sorrows polyptych (around 1494), depicts the ceremony in the Temple eight days after the Nativity at which the child was formally given his name and entered into the covenant of Israel. The subject was important in Christian theology as the first shedding of Christ's blood — the beginning of the sacrificial narrative that culminated in the Crucifixion — and in medieval and Renaissance devotional practice, relics of the Holy Prepuce were venerated at various European shrines. Dürer's treatment of the temple ceremony combines the precision of his early detailed style with the emotional seriousness appropriate to the theological weight of a subject that marked the beginning of Christ's redemptive sacrifice.

Technical Analysis

The panel's compact composition and angular drapery style are consistent with Dürer's early works, showing the influence of his Nuremberg training in the detailed rendering of the temple interior and ritual implements.

See It In Person

Staatliche Kunstsammlungen Dresden

Dresden, Germany

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Quick Facts

Medium
Oil on panel
Dimensions
63 × 45.5 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Staatliche Kunstsammlungen Dresden, Dresden
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Virgin and Child by Albrecht Dürer

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Virgin and Child with Saint Anne

Albrecht Dürer·probably 1519

Madonna and Child [obverse] by Albrecht Dürer

Madonna and Child [obverse]

Albrecht Dürer·c. 1496/1499

Lot and His Daughters [reverse] by Albrecht Dürer

Lot and His Daughters [reverse]

Albrecht Dürer·c. 1496/1499

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