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The Barque of Dante by Eugène Delacroix

The Barque of Dante

Eugène Delacroix·1822

Historical Context

Delacroix's The Barque of Dante of 1822 was his sensational Salon debut at twenty-four, depicting Dante and Virgil crossing the river Styx in Charon's boat, surrounded by the damned clinging to the hull. The painting drew on Michelangelo and Rubens with equal confidence, announcing a young painter who had absorbed the entire European tradition and was prepared to deploy it with unprecedented ambition. Géricault reportedly told a friend that a great painter had arrived. The painting's turbulent energy and dramatic chiaroscuro established the Romantic style in French painting as emphatically as The Raft of the Medusa had established it three years earlier.

Technical Analysis

The writhing nude figures in the water demonstrate Delacroix's study of Michelangelo and Rubens, rendered with vigorous, expressive brushwork. The dramatic palette of deep greens, flesh tones, and lurid light creates an infernal atmosphere.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
189 × 241.5 cm
Era
Romanticism
Style
French Romanticism
Genre
History
Location
Department of Paintings of the Louvre, Paris
View on museum website →

More by Eugène Delacroix

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

The Combat of the Giaour and Hassan by Eugène Delacroix

The Combat of the Giaour and Hassan

Eugène Delacroix·1826

Arab Horseman Attacked by a Lion by Eugène Delacroix

Arab Horseman Attacked by a Lion

Eugène Delacroix·1849–50

Hamlet and His Mother by Eugène Delacroix

Hamlet and His Mother

Eugène Delacroix·1849

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Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

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Study of Pigs by Alexandre Gabriel Decamps

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Alexandre Gabriel Decamps·c. 1855