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Cottage by a country lane by Augustus Wall Callcott

Cottage by a country lane

Augustus Wall Callcott·1820

Historical Context

Cottage by a Country Lane from 1820 by Augustus Wall Callcott depicts the English rural cottage in its lane-side setting, a quintessential subject of Romantic landscape painting. The cottage in its natural setting represented an ideal of harmonious rural life that was central to the English landscape tradition. Characteristic of the artist's mature approach, the work displays luminous, classical landscape in the tradition of Claude and Wilson, warm atmospheric color, careful academic finish combined with Romantic sensitivity to light.

Technical Analysis

The cottage is rendered with charming detail within an atmospheric landscape setting, the country lane providing depth and visual interest.

See It In Person

Yale Center for British Art

New Haven, United States

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
32.7 × 25.7 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
Yale Center for British Art, New Haven
View on museum website →

More by Augustus Wall Callcott

Italian Landscape with Cows Watering by Augustus Wall Callcott

Italian Landscape with Cows Watering

Augustus Wall Callcott·1800-1844

A Sea port: gale rising by Augustus Wall Callcott

A Sea port: gale rising

Augustus Wall Callcott·ca. 1840

Landscape: A Wood and Cattle under a Stormy Sky by Augustus Wall Callcott

Landscape: A Wood and Cattle under a Stormy Sky

Augustus Wall Callcott·1820-1844

Coast Scene with Shrimper by Augustus Wall Callcott

Coast Scene with Shrimper

Augustus Wall Callcott·1820-1844

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836