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Saint Peter by Annibale Carracci

Saint Peter

Annibale Carracci·1604

Historical Context

Saint Peter, at the Museu Nacional in Barcelona, presents the first apostle as a monumental figure of authority and spiritual power. Painted around 1604 for the Herrera Chapel, Peter's commanding presence reflects his role as the rock on which Christ founded his Church. Annibale Carracci's reform of Italian painting in the late sixteenth century, combining the lessons of Raphael and Michelangelo with close naturalistic observation, established the foundations for Baroque classicism and shaped European painting for two centuries.

Technical Analysis

The apostle's weathered, bearded face is modeled with powerful chiaroscuro that emphasizes the craggy features. The keys of heaven, Peter's traditional attribute, are rendered with metallic precision. Broad, confident brushwork suits the mural-scale purpose of this figure.

See It In Person

Museu Nacional d'Art de Catalunya

Barcelona, Spain

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
Museu Nacional d'Art de Catalunya, Barcelona
View on museum website →

More by Annibale Carracci

Saint John the Baptist Bearing Witness by Annibale Carracci

Saint John the Baptist Bearing Witness

Annibale Carracci·ca. 1600

The Coronation of the Virgin by Annibale Carracci

The Coronation of the Virgin

Annibale Carracci·after 1595

Boy Drinking by Annibale Carracci

Boy Drinking

Annibale Carracci·1582–83

River Landscape by Annibale Carracci

River Landscape

Annibale Carracci·c. 1590

More from the Baroque Period

Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

Titian·c. 1600

Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612