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Campagnes de Bellevue (Fields at Bellevue) by Paul Cézanne

Campagnes de Bellevue (Fields at Bellevue)

Paul Cézanne·1892

Historical Context

This 1892 canvas of the Bellevue fields represents Cézanne's sustained engagement with the landscape around Aix-en-Provence that he had painted for three decades. Bellevue was a farm owned by his brother-in-law to the west of Aix, and Cézanne returned to its open fields and distant views of Mont Sainte-Victoire repeatedly. By 1892 his landscape method had achieved its distinctive character: the parallel diagonal brushstrokes, the color modulation, the flattened yet deeply spatial arrangement of planes. The Phillips Collection canvas shows his ability to make a simple field view carry the weight of extended visual meditation.

Technical Analysis

Cézanne organizes the landscape in overlapping planes of color, with his characteristic diagonal parallel strokes creating both texture and spatial recession. The warm ochres of the fields are contrasted with cooler blue-greens in the foliage. The composition is built through accumulated marks rather than drawn contours.

See It In Person

The Phillips Collection

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
The Phillips Collection, Washington, D.C.
View on museum website →

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Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885

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