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Isar Harlemia: a Saint Bernard by Piet Mondrian

Isar Harlemia: a Saint Bernard

Piet Mondrian·1902

Historical Context

Isar Harlemia: A Saint Bernard (1902), at the Kunstmuseum Den Haag, is an unusual subject in Mondrian's early work—a portrait of a specific named dog (Isar Harlemia appears to be the animal's registered name) rather than the generic cattle or working animals of his Brabant subjects. Saint Bernards were prestigious breed dogs associated with wealth and social standing, and the specific identification of the animal suggests a commissioned portrait or a work produced for someone connected to the dog's ownership. The painting demonstrates Mondrian's facility with animal subjects beyond the agricultural cattle that dominate his documented animal work of this period.

Technical Analysis

A dog portrait requires close attention to the animal's characteristic physiognomy: the broad, heavy head of the Saint Bernard, its dense coat, and its characteristic warm-toned coloring. Mondrian renders these features with the observational accuracy of a painter working from a specific, patient sitter.

See It In Person

Kunstmuseum Den Haag

The Hague, Netherlands

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Kunstmuseum Den Haag, The Hague
View on museum website →

More by Piet Mondrian

Oostzijdse Mill along the River Gein by Moonlight by Piet Mondrian

Oostzijdse Mill along the River Gein by Moonlight

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Mill at Heeswijk by Piet Mondrian

Mill at Heeswijk

Piet Mondrian·1904

Brabants boerenerf by Piet Mondrian

Brabants boerenerf

Piet Mondrian·1904

Self-portrait by Piet Mondrian

Self-portrait

Piet Mondrian·1900

More from the Post-Impressionism Period

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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