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Coronation of the Virgin by Michele Giambono

Coronation of the Virgin

Michele Giambono·1448

Historical Context

Michele Giambono's Coronation of the Virgin, painted around 1448 and now in the Gallerie dell'Accademia in Venice, is one of the key works by this Venetian master who represents the tenacious survival of the International Gothic style in Venice well into the mid-fifteenth century. While Donatello's presence in Padua and the influence of Mantegna were already pushing the Veneto toward Renaissance spatial thinking, Giambono — who also worked in San Marco's mosaic tradition — maintained an extraordinarily refined Late Gothic manner characterized by elegant line, elaborate gold toolwork, and courtly delicacy.

Technical Analysis

Tempera on panel with extensive gold ground and elaborate punched tooling. The figures display the elongated, swaying elegance characteristic of International Gothic Venetian painting, quite distinct from the more volumetric Florentine approach of the same decade.

See It In Person

Gallerie dell'Accademia

Venice, Italy

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
229 × 176 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Gallerie dell'Accademia, Venice
View on museum website →

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Michele Giambono (Michele Giovanni Bono)·ca. 1430

Saint Peter by Michele Giambono

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Michele Giambono·c. 1445/1450

The Man of Sorrows by Michele Giambono

The Man of Sorrows

Michele Giambono·1430

A Bishop Saint by Michele Giambono

A Bishop Saint

Michele Giambono·1436

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