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Faun and a girl by Max Slevogt

Faun and a girl

Max Slevogt·1900

Historical Context

Faun and a Girl from 1900 by Max Slevogt depicts the encounter between a supernatural creature of classical mythology and a human female — a subject that carries obvious erotic charge within the tradition of mythological painting. Slevogt was among the leading German Impressionist painters, and this early mythological work shows him working within a tradition of figure painting that he would pursue alongside his outdoor landscapes. The National Museum in Warsaw acquired this work as part of their broader collection of European art from around 1900.

Technical Analysis

Slevogt renders the encounter with the fluid, confident brushwork that characterizes his mature figure painting. His handling of the faun's animalistic physicality contrasts with the girl's more delicate treatment. The outdoor setting is painted with the atmospheric freshness of his landscape work, integrating the mythological figures into a plausible natural environment.

See It In Person

National Museum in Warsaw

Warsaw, Poland

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Mythology
Location
National Museum in Warsaw, Warsaw
View on museum website →

More by Max Slevogt

The Dancer Marietta di Rigardo by Max Slevogt

The Dancer Marietta di Rigardo

Max Slevogt·1904

Grape harvest. by Max Slevogt

Grape harvest.

Max Slevogt·1900

Angela von Tschudi by Max Slevogt

Angela von Tschudi

Max Slevogt·1902

Après le travail by Max Slevogt

Après le travail

Max Slevogt·1900

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885