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Square Saint-Pierre, Paris by Vincent van Gogh

Square Saint-Pierre, Paris

Vincent van Gogh·1887

Historical Context

Van Gogh's 1887 painting of the Square Saint-Pierre in Paris captures one of the city's public spaces during his Parisian years, when he moved through the city with the attentive eyes of a newcomer discovering urban modernity. The Place Saint-Pierre at the foot of Montmartre was a busy, characterful square, and Van Gogh's treatment reflects his developing Impressionist approach to the observation of public space. Yale University Art Gallery's holding places this among the important American collections of Van Gogh's Paris period work.

Technical Analysis

The urban scene is rendered with Van Gogh's evolving Parisian palette — lighter and more chromatic than his Dutch period — capturing the specific quality of Paris street light. Figures, trees, and buildings are organized within the composition with the observational freshness of direct outdoor observation. Brushwork is varied and direct throughout.

See It In Person

Yale University Art Gallery

New Haven, United States

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Yale University Art Gallery, New Haven
View on museum website →

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Farmhouse by Vincent van Gogh

Farmhouse

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Street in Auvers-sur-Oise by Vincent van Gogh

Street in Auvers-sur-Oise

Vincent van Gogh·1890

Bedroom in Arles by Vincent van Gogh

Bedroom in Arles

Vincent van Gogh·1889

Orchards in blossom, view of Arles by Vincent van Gogh

Orchards in blossom, view of Arles

Vincent van Gogh·1889

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885