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Right Pilaster of an Altarpiece by Master of Pratovecchio

Right Pilaster of an Altarpiece

Master of Pratovecchio·1450

Historical Context

The Right Pilaster of an Altarpiece from the Pratovecchio ensemble houses small saint figures or decorative elements in the vertical strip that framed the altarpiece's main panels. Pilasters in Italian Gothic and early Renaissance altarpieces often contained subsidiary saint figures, prophets, or ornamental motifs that reinforced the theological programme without competing with the main panels. These components of the Pratovecchio Altarpiece, though individually modest, are significant for their rarity — most complex altarpiece programmes have been broken apart, and the survival of multiple elements allows partial reconstruction of a specific devotional object.

Technical Analysis

Tempera and gold leaf on panel. The narrow vertical format of pilasters requires small-scale figure painting — individual saints are compressed into tight spaces that demand precise, miniaturistic handling. Ornamental gold tooling often fills the spaces between figures in pilaster programmes.

See It In Person

National Gallery

London, United Kingdom

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Quick Facts

Medium
Tempera on panel
Dimensions
115.5 × 115.5 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

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A Bishop (Donatus?) and a Female Martyr (Antilla?) by Master of Pratovecchio

A Bishop (Donatus?) and a Female Martyr (Antilla?)

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Left Pilaster of an Altarpiece by Master of Pratovecchio

Left Pilaster of an Altarpiece

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Gabriel: Frame Roundel (left) by Master of Pratovecchio

Gabriel: Frame Roundel (left)

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Saints Michael and John the Baptist by Master of Pratovecchio

Saints Michael and John the Baptist

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Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

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Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

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