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The Annunciate Virgin: Frame Roundel (right) by Master of Pratovecchio

The Annunciate Virgin: Frame Roundel (right)

Master of Pratovecchio·1450

Historical Context

The Annunciate Virgin roundel — the right-side companion to the Gabriel roundel — shows Mary at the moment of receiving the angel's message, typically depicted with a gesture of submission or surprise and a book open before her, the interrupted reading of scripture. This roundel, set within the altarpiece frame, completed the Annunciation scene distributed across the upper structure rather than concentrated in a single main panel. The convention of placing the Annunciation in the frame rather than the main field reflects the altarpiece's complex theological programme, which reserved the central panels for the primary devotional image.

Technical Analysis

Tempera and gold leaf on panel. The circular format constrains the Virgin to a bust or half-length presentation within the roundel's arc. Her gesture of response to the Annunciation — hands open, gaze slightly lowered — is compressed into the tight circular field with economical compositional skill.

See It In Person

National Gallery

London, United Kingdom

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Quick Facts

Medium
Tempera on panel
Dimensions
13.6 × 13.6 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

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A Bishop (Donatus?) and a Female Martyr (Antilla?) by Master of Pratovecchio

A Bishop (Donatus?) and a Female Martyr (Antilla?)

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Left Pilaster of an Altarpiece by Master of Pratovecchio

Left Pilaster of an Altarpiece

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Gabriel: Frame Roundel (left) by Master of Pratovecchio

Gabriel: Frame Roundel (left)

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Saints Michael and John the Baptist by Master of Pratovecchio

Saints Michael and John the Baptist

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