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Venice: The Arsenal by Francesco Guardi

Venice: The Arsenal

Francesco Guardi·1757

Historical Context

This view of the Arsenal, around 1757, in the National Gallery London, depicts Venice's famous shipyard—the largest industrial complex in pre-modern Europe. The Arsenal was both a military installation and a source of Venetian civic pride, its massive gate a symbol of maritime power. Guardi worked in oil on canvas using a notably free and rapid technique, building atmospheric effects through broken strokes of silvery grey, warm ochre, and cool blue-green that seem to dissolve in Venetian ligh...

Technical Analysis

The imposing gateway of the Arsenal is rendered with more architectural precision than Guardi typically employed, its Renaissance facade clearly described. The surrounding water and sky, however, display his characteristic atmospheric freedom.

Look Closer

  • ◆Notice the imposing Renaissance gateway of the Arsenal — the entrance to Venice's massive shipyard, the largest industrial complex in pre-modern Europe and the source of its naval power.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
62.3 × 96.9 cm
Era
Rococo
Style
Venetian Rococo
Genre
Landscape
Location
National Gallery, London
View on museum website →

More by Francesco Guardi

The Garden of Palazzo Contarini dal Zaffo by Francesco Guardi

The Garden of Palazzo Contarini dal Zaffo

Francesco Guardi·Late 1770s

The Grand Canal, Venice by Francesco Guardi

The Grand Canal, Venice

Francesco Guardi·c. 1760

Ruined Archway by Francesco Guardi

Ruined Archway

Francesco Guardi·1775–93

Capriccio: The Lagoon by Francesco Guardi

Capriccio: The Lagoon

Francesco Guardi·After 1770

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700