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Adoring Saints: Left Main Tier Panel by Jacopo di Cione

Adoring Saints: Left Main Tier Panel

Jacopo di Cione·1370

Historical Context

Jacopo di Cione's Adoring Saints panel formed part of the main tier of the San Pier Maggiore altarpiece, one of the most ambitious Florentine altarpiece commissions of the 1370s. The altarpiece, now dismembered across the National Gallery, London, and other collections, was created for the Benedictine convent church of San Pier Maggiore. Jacopo led the family workshop that had dominated Florentine painting since the 1340s, executing large-scale commissions that maintained the solemn, hierarchical style established by his brother Orcagna.

Technical Analysis

Tempera and gold on panel with the dignified, formally arranged figural compositions characteristic of the Orcagna workshop's late production. The adoring saints are rendered with careful attention to individualized drapery patterns and devotional gestures within a unified gold-ground setting.

See It In Person

National Gallery

London, United Kingdom

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Quick Facts

Medium
Tempera on panel
Dimensions
169 × 113 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
National Gallery, London
View on museum website →

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Virgin and Child with Four Saints, with Christ Crucified by Jacopo di Cione

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The Crucifixion by Jacopo di Cione

The Crucifixion

Jacopo di Cione·1369

Pentecost by Jacopo di Cione

Pentecost

Jacopo di Cione·1362

Madonna and Child with God the Father Blessing and Angels by Jacopo di Cione

Madonna and Child with God the Father Blessing and Angels

Jacopo di Cione·1370

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295