ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Portrait of the Artist with his Wife and Daughter by Thomas Gainsborough

Portrait of the Artist with his Wife and Daughter

Thomas Gainsborough·1748

Historical Context

Portrait of the Artist with his Wife and Daughter, painted around 1748 and held at the National Gallery, is one of Gainsborough’s earliest surviving self-portraits, showing the twenty-one-year-old painter with his new wife Margaret Burr and their baby daughter Mary. The informal family group, set in a landscape, demonstrates Gainsborough’s early integration of portraiture and landscape that would become his signature approach. Margaret Burr brought a small annuity to the marriage that provided financial security while Gainsborough established his practice. This intimate family portrait provides a rare personal glimpse of the young artist at the very beginning of his career.

Technical Analysis

The early self-portrait shows Gainsborough's instinctive feeling for the integration of figures with landscape, a quality that distinguishes all his finest work. The touch is already distinctive — lighter and more fluid than the prevailing English manner — though still showing the influence of Dutch and French Rococo painting.

Look Closer

  • ◆Notice that this shows Gainsborough at twenty-one with his new wife Margaret Burr and baby daughter Mary — one of the earliest surviving self-portraits, painted at the very beginning of his career.
  • ◆Look at the instinctive integration of figures with landscape: even at twenty-one, Gainsborough's touch is lighter and more fluid than the prevailing English manner.
  • ◆Observe the informal family group: set in a landscape rather than an interior, this self-portrait already shows the outdoor naturalness that defined his mature approach.
  • ◆Find the influence of Dutch and French Rococo painting: the handling reflects his early absorption of these traditions, not yet synthesized into the mature Gainsborough style.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
92.1 × 70.5 cm
Era
Rococo
Style
English Rococo
Genre
Portrait
Location
National Gallery, London
View on museum website →

More by Thomas Gainsborough

Sarah Dupont by Thomas Gainsborough

Sarah Dupont

Thomas Gainsborough·c. 1777–79

Lieutenant Colonel Paul Pechell (1724–1800) by Thomas Gainsborough

Lieutenant Colonel Paul Pechell (1724–1800)

Thomas Gainsborough·1747

A Boy with a Cat—Morning by Thomas Gainsborough

A Boy with a Cat—Morning

Thomas Gainsborough·1787

Portrait of a Young Woman, Called Miss Sparrow by Thomas Gainsborough

Portrait of a Young Woman, Called Miss Sparrow

Thomas Gainsborough·1770s

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700