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The Virgin and Child with Six Angels and Two Cherubim
Historical Context
Francesco di Antonio di Bartolomeo created this work around 1445, now in London's National Gallery. The depiction of the Virgin and Child was the single most common subject in Italian Renaissance art, serving as a focus for both private devotion and public worship. The Early Renaissance period saw significant artistic innovation across Europe, with painters developing new techniques for representing the visible world with unprecedented naturalism and spatial coherence.
Technical Analysis
Careful attention to the interplay of light on the Virgin's drapery and the modeling of the Christ Child's flesh reveals accomplished technique within the established conventions of Marian devotional imagery.
See It In Person
More by Francesco di Antonio di Bartolomeo
_-_The_Virgin_and_Child_Enthroned%2C_between_Saint_Lawrence_(left)_and_Saint_John_Gualbert_(right)_-_M.33_-_Fitzwilliam_Museum.jpg&width=600)
The Virgin and Child enthroned, between (left) St Lawrence and (right) St John Gualbert
Francesco di Antonio di Bartolomeo·1416

Resurrected Christ
Francesco di Antonio di Bartolomeo·1430

Les Funérailles de saint Jérôme (élément de la prédelle du Retable Rinieri)
Francesco di Antonio di Bartolomeo·1430

L'Apparition de la Trinité à saint Jérôme. Les Derniers moments de saint Jérôme. (élément de la prédelle du Retable Rinieri)
Francesco di Antonio di Bartolomeo·1430



