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Portrait of a Man, probably Johann Feige by Lucas Cranach the Elder

Portrait of a Man, probably Johann Feige

Lucas Cranach the Elder·1600

Historical Context

Dating to 1600, the portrait demonstrates Lucas Cranach the Elder's command of formal portraiture, drawing on Venetian painting. The work reflects the social importance of commissioned portraits in the Baroque era, serving both as personal memento and public statement of status. Cranach's prolific Wittenberg workshop produced paintings, woodcuts, and prints for both the Saxon Electoral court and the expanding Protestant market, making his imagery among the most widely disseminated in sixteent...

Technical Analysis

The portrait is rendered with sinuous contours that characterizes Lucas Cranach the Elder's best work. Oil on canvas provides a rich ground for the subtle gradations of flesh tone and the textural contrasts between skin, fabric, and background that give the image its convincing presence.

Look Closer

  • ◆Notice the 1600 date — this portrait postdates Cranach the Elder by nearly half a century, suggesting attribution to his workshop or a later follower.
  • ◆Look at the man's costume: the clothing style of around 1600 would differ from Cranach the Elder's typical 1520s–1550s subjects.
  • ◆Find the sitter's direct gaze and three-quarter turn: the Cranach workshop portrait formula persisted well after the master's death.
  • ◆Observe how the Venetian influence mentioned in the text shows in the more painterly handling compared to Cranach the Elder's crisp, linear style.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
40.7 × 26.1 cm
Era
Baroque
Style
German Baroque
Genre
Portrait
Location
National Gallery, London
View on museum website →

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The Crucifixion by Lucas Cranach the Elder

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Adam by Lucas Cranach the Elder

Adam

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