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Music by Justus van Gent

Music

Justus van Gent·1474

Historical Context

Music personified belongs to the second programme of the Urbino studiolo decorations — the Liberal Arts — which complemented the Famous Men portraits by depicting the intellectual disciplines that underlay Federico's claim to the title of uomo universale. Music's inclusion among the Liberal Arts reflected the Quadrivium — arithmetic, geometry, astronomy, and music — and the Muse of Music was depicted with her distinctive instrument and score. Justus van Gent's Flemish approach to the figure brought a solidity and spatial depth to the allegory that distinguished it from Italian treatments of the same subject.

Technical Analysis

The Music allegory is characterised by a carefully rendered musical instrument — probably a lute or portative organ — whose strings or pipes are depicted with the same technical accuracy Justus brings to Ptolemy's armillary sphere. The figure's robes are handled with the Flemish multi-layer oil technique that gives them a translucent depth unavailable in Italian tempera.

See It In Person

National Gallery

London, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
156.3 × 97.4 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Genre
Location
National Gallery, London
View on museum website →

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Adoration of the Magi by Justus van Gent

Adoration of the Magi

Justus van Gent·1490

Federico da Montefeltro, Duke of Urbino (1422-1482), his son Guidobaldo (1472-1508), and others listening to a discourse by Justus van Gent

Federico da Montefeltro, Duke of Urbino (1422-1482), his son Guidobaldo (1472-1508), and others listening to a discourse

Justus van Gent·1480

Sleeping Apostles by Justus van Gent

Sleeping Apostles

Justus van Gent·1500

Pala del corpus domini by Justus van Gent

Pala del corpus domini

Justus van Gent·1467

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