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The Four Times of Day: Afternoon by Nicolas Lancret

The Four Times of Day: Afternoon

Nicolas Lancret·1740

Historical Context

The Four Times of Day: Afternoon by Lancret, painted around 1740, is part of a series depicting the activities characteristic of each period of the day — a traditional format that gave decorative painters the opportunity to create coordinated ensembles for aristocratic interiors. The afternoon scene likely shows a social gathering, the siesta hour of leisure that followed the midday meal and preceded the evening entertainments central to aristocratic life. Series like the Four Times of Day were designed for specific architectural contexts, and Lancret's success with such commissioned ensembles reflects his understanding of how paintings functioned as elements in a larger decorative program. The genre's durability — similar series had been produced since the seventeenth century — reflects its utility as an organizing principle for decorative commissions.

Technical Analysis

The scene is rendered with Lancret's characteristic lightness and decorative charm, the figures engaged in leisurely afternoon pursuits within an elegant setting. His palette of soft, luminous colors creates the warm atmosphere of a summer afternoon.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on copper
Dimensions
28.8 × 36.7 cm
Era
Rococo
Style
French Rococo
Genre
Genre
Location
National Gallery, London
View on museum website →

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Declaration of Love by Nicolas Lancret

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Wall Panels: The Gardener, Horticulture, The Vineyard, The See-Saw, The Swing by Nicolas Lancret

Wall Panels: The Gardener, Horticulture, The Vineyard, The See-Saw, The Swing

Nicolas Lancret·c. 1723–27

The Gardener by Nicolas Lancret

The Gardener

Nicolas Lancret·c. 1723–27

More from the Rococo Period

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Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700