ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Colonel Tarleton by Joshua Reynolds

Colonel Tarleton

Joshua Reynolds·1782

Historical Context

Reynolds painted Colonel Banastre Tarleton in 1782, depicting the controversial British cavalry commander who had earned both fame and infamy during the American Revolutionary War. Tarleton's brutal tactics at the Battle of Waxhaws, where his dragoons allegedly massacred surrendering Continental soldiers, earned him the nickname "Bloody Ban." Reynolds's portrait shows him in a dramatically heroic pose beside a cannon with battle smoke in the background, projecting martial glamour that contrasts with his controversial reputation. Now in the National Gallery, the painting demonstrates Reynolds's ability to create compelling military portraits that transformed their subjects into heroic figures.

Technical Analysis

Reynolds positions Tarleton against a stormy battlefield background with cannon smoke, his pose conveying dynamic energy. The brushwork is bold and confident, with rich contrasts between the dark uniform and the atmospheric sky.

Look Closer

  • ◆Notice the cannon beside Tarleton — it is not just decoration but a symbol of the artillery support in which he served during the American Revolution
  • ◆Look at the billowing smoke in the background, placing the portrait in the middle of battle rather than a studio
  • ◆Observe the dynamic, slightly swaggering pose — Tarleton was notorious for physical courage and Reynolds captures that martial confidence
  • ◆Find the contrast between the dark uniform and the dramatic stormy sky — Reynolds uses weather and atmosphere to dramatise military subjects
  • ◆Notice how the portrait glamourises a man of controversial reputation — Reynolds gives Tarleton heroic visual status regardless of his actions at Waxhaws

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
236 × 145 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
National Gallery, London
View on museum website →

More by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair

Joshua Reynolds·1761–66

Lady Sarah Bunbury Sacrificing to the Graces by Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces

Joshua Reynolds·1763–65

Sir Thomas Rumbold, Bt. by Joshua Reynolds

Sir Thomas Rumbold, Bt.

Joshua Reynolds·1788

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham by Joshua Reynolds

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

Joshua Reynolds·1748

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770