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Portrait of Max Liebermann (1847-1935) by Jan Veth

Portrait of Max Liebermann (1847-1935)

Jan Veth·1904

Historical Context

Jan Veth's 1904 portrait of Max Liebermann depicts the German-Jewish painter who was at the time one of Germany's most celebrated artists and a leading figure in the Berlin Secession. Liebermann's prominence made him a natural subject for portrait painters seeking distinguished sitters, and Veth — himself a significant Dutch portraitist — was well-positioned to undertake the commission. The portrait, held by the Dordrechts Museum, documents an encounter between two of the leading northern European portraitists of the period. Liebermann's own output of portraits makes him a particularly apt subject for the genre.

Technical Analysis

Veth renders Liebermann with the careful psychological observation that characterizes his best portraits. The face is modelled with attention to the specific character of a man in his mid-fifties at the height of his public prominence. His handling is controlled and precise without being academic, balancing likeness with a sense of the sitter's intellectual vitality.

See It In Person

Dordrechts Museum

Dordrecht, Netherlands

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Dordrechts Museum, Dordrecht
View on museum website →

More by Jan Veth

Portrait of Cornelia, Clara and Johanna Veth by Jan Veth

Portrait of Cornelia, Clara and Johanna Veth

Jan Veth·1885

Portrait of Albert Verwey by Jan Veth

Portrait of Albert Verwey

Jan Veth·1885

Portrait of Frans Lebret (1820-1909) by Jan Veth

Portrait of Frans Lebret (1820-1909)

Jan Veth·1888

Portrait of Frank van der Goes by Jan Veth

Portrait of Frank van der Goes

Jan Veth·1887

More from the Post-Impressionism Period

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Rocks and Trees (Rochers et arbres)

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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