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Portrait of William Warham by Hans Holbein the Younger

Portrait of William Warham

Hans Holbein the Younger·1528

Historical Context

Portrait of William Warham, Archbishop of Canterbury, was painted in 1527 during Holbein's first English visit when Erasmus's circle provided his primary introductions to potential patrons. Warham, a long-serving Archbishop who had served Henry VII and Henry VIII across decades of political and ecclesiastical transformation, sat for Holbein at a moment when his position was still secure. The painting's formal composition — Archbishop in full ecclesiastical dress before a rich hanging, the tools of his office arranged around him — follows conventions established in Flemish portraiture while Holbein's psychological observation gives the aged prelate's face an intensity of character beyond mere official representation. Warham died in 1532, narrowly avoiding the upheavals of the English Reformation.

Technical Analysis

The archbishop's aged features and ecclesiastical vestments are rendered with extraordinary precision. Holbein captures both the authority of the office and the individual character of the man.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
82 × 66 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Margaret Roper (Margaret More, 1505–1544) by Hans Holbein the Younger

Margaret Roper (Margaret More, 1505–1544)

Hans Holbein the Younger·1535–36

Lady Rich (Elizabeth Jenks, died 1558) by Hans Holbein the Younger

Lady Rich (Elizabeth Jenks, died 1558)

Hans Holbein the Younger·ca. 1540

Portrait of a Man, Said to Be Arnold Franz by Hans Holbein the Younger

Portrait of a Man, Said to Be Arnold Franz

Hans Holbein the Younger·1600

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