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Flagellation by Master of the Beighem Altarpiece

Flagellation

Master of the Beighem Altarpiece·1520

Historical Context

The Flagellation of Christ — the scourging of Jesus at the pillar before his crucifixion — was a subject of intense devotional importance in early sixteenth-century Flemish piety, used as a focus for meditation on the suffering body of Christ. The Master of the Beighem Altarpiece's Flagellation panel, dated around 1520 and held at Beighem, would have formed part of a sequential Passion narrative guiding the viewer through the stages of Christ's suffering toward the Crucifixion. The brutality of the subject was rendered with unflinching specificity in the northern tradition established by Rogier van der Weyden, and the Beighem master follows this tradition of devotional realism.

Technical Analysis

The composition places the bound Christ at the pillar as a central vertical figure, flanked by executioners in energetic poses. The palette is sombre, with Christ's pallor contrasting against the darker tones of surrounding figures.

See It In Person

Beigem

,

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Quick Facts

Medium
Oil paint
Dimensions
183 × 139 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Beigem,
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