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María Teresa Moret by Joaquín Sorolla

María Teresa Moret

Joaquín Sorolla·1901

Historical Context

María Teresa Moret from 1901, at the Museo del Prado, portrays a member of the Moret family — connected to the Beruete circle through the hyphenated surname Beruete y Moret of Aureliano's family. The portrait of a woman in bourgeois Madrilenian society was an important element of Sorolla's practice alongside his more famous beach scenes, providing the formal commissions and social connections that supported his professional life. The Prado's Sorolla holdings include both formal portraits and more informal works, offering a comprehensive view of his range. This early portrait shows his approach to the formal female subject at the height of his classical period.

Technical Analysis

The formal portrait manner here is slightly more contained than in Sorolla's outdoor works — the lighting is controlled, the brushwork less explosively rapid, the composition more traditional. But the characteristic luminosity of his flesh tones remains, even in the interior setting.

See It In Person

Museo del Prado

Madrid, Spain

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Museo del Prado, Madrid
View on museum website →

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Contadina de Asís by Joaquín Sorolla

Contadina de Asís

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Clotilde at the Window by Joaquín Sorolla

Clotilde at the Window

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885