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The Play Scene in Hamlet by Daniel Maclise

The Play Scene in Hamlet

Daniel Maclise·c. 1838

Historical Context

This version of the Play Scene in Hamlet is one of multiple treatments Maclise made of his most celebrated composition, the 1842 Royal Academy painting that established him as Victorian Britain's foremost history painter. The scene offered his particular talents their ideal demonstration: a large crowd of differentiated figures with varied psychological reactions to a theatrical performance, each face readable in its specific response to the play's unmasking of the king's guilt. Maclise's repeated return to this subject reflects both its importance in establishing his reputation and the continued commercial demand for paintings related to his most famous composition. Each version offered slight variations that collectors and critics could compare.

Technical Analysis

The multi-figure composition is organized with theatrical clarity, Maclise's precise draftsmanship ensuring that each character's psychological response to the play-within-a-play remains legible within the complex arrangement.

See It In Person

Auckland Art Gallery Toi o Tāmaki

Auckland, New Zealand

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
277 × 155 cm
Era
Romanticism
Style
Romanticism
Genre
Genre
Location
Auckland Art Gallery Toi o Tāmaki, Auckland
View on museum website →

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Waterfall at St Nighton's Kieve, near Tintagel by Daniel Maclise

Waterfall at St Nighton's Kieve, near Tintagel

Daniel Maclise·1842

Macready as Werner by Daniel Maclise

Macready as Werner

Daniel Maclise·1849-1850

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I) by Daniel Maclise

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I)

Daniel Maclise·1847-1848

John Forster by Daniel Maclise

John Forster

Daniel Maclise·1830

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