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Alfons IV the Magnanimous by Jaume Mateu

Alfons IV the Magnanimous

Jaume Mateu·1427

Historical Context

Jaume Mateu's portrait of Alfonso IV the Magnanimous, painted around 1427, depicts the contemporary king of Aragon who was one of the leading patrons of Renaissance culture. Alfonso's conquest of Naples in 1442 would make him one of the most powerful rulers in the Mediterranean world Egg tempera on panel was the dominant technique of the period, demanding careful layer-by-layer construction and patient craftsmanship The work is now in the collection of Museu Nacional d'Art de Catalunya.

Technical Analysis

The royal portrait renders the king in the formal Catalan commemorative manner, with royal regalia and heraldic elements against gold ground in a composition that balances individual likeness with institutional representation.

See It In Person

Museu Nacional d'Art de Catalunya

Barcelona, Spain

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Portrait
Location
Museu Nacional d'Art de Catalunya, Barcelona
View on museum website →

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Der segnende Christus auf der Weltkugel (3 Tafeln)

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James I the Conqueror by Jaume Mateu

James I the Conqueror

Jaume Mateu·1427

Alfons III the Liberal by Jaume Mateu

Alfons III the Liberal

Jaume Mateu·1427

Peter IV the Ceremonious by Jaume Mateu

Peter IV the Ceremonious

Jaume Mateu·1427

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