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The Green Blouse by Samuel Peploe

The Green Blouse

Samuel Peploe·1904

Historical Context

The Green Blouse from 1904 marks a moment in Peploe's development when he was moving between outdoor landscape subjects and studio figure work, both of which he pursued simultaneously in his early career. The female figure in informal dress — a blouse rather than formal portrait attire — places this work within the tradition of informal figure painting practiced by his French contemporaries, particularly Vuillard, whose intimate interiors and figures in domestic settings Peploe admired. By 1904 Peploe was spending time in Paris, and the influence of French Post-Impressionism was shaping his approach to both color and composition. The Scottish National Gallery of Modern Art holds this figure work.

Technical Analysis

Peploe renders the figure with the bold color contrasts that were becoming central to his developing style. The green blouse — the painting's chromatic focal point — is painted with fresh, confident strokes that capture the fabric's color without slavish description of its surface. The figure's face and hands are more carefully observed, with the background treated loosely to maintain focus on the blouse's vivid green.

See It In Person

Scottish National Gallery of Modern Art

Edinburgh, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Scottish National Gallery of Modern Art, Edinburgh
View on museum website →

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North Berwick by Samuel Peploe

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885