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Apples, Peaches, Pears and Grapes by Paul Cézanne

Apples, Peaches, Pears and Grapes

Paul Cézanne·1879

Historical Context

Apples, Peaches, Pears and Grapes from 1879, at the Hermitage Museum, is an early work in the long development of Cézanne's fruit arrangements, predating his most structurally complex compositions but already demonstrating his systematic approach to rendering different volumes and colors in relation to each other. The variety of fruits — rounded apples, ovoid pears, globular peaches, clustered grapes — gave him multiple different formal problems to solve simultaneously within a single composition. Russian collectors valued Cézanne early; the Shchukin and Morozov collections that formed the Hermitage's Western modern holdings included important Cézannes acquired in the 1890s and early 1900s.

Technical Analysis

The variety of fruits provides a range of formal problems in a single canvas: the spherical apple, the elongated pear, the textured grape cluster, the rounded peach. Each requires a slightly different application of Cézanne's method of building form through directional color planes.

See It In Person

Hermitage Museum

Saint Petersburg, Russia

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Still Life
Location
Hermitage Museum, Saint Petersburg
View on museum website →

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Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885

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