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Noli me tangere by Benvenuto Tisi da Garofalo

Noli me tangere

Benvenuto Tisi da Garofalo·1527

Historical Context

Benvenuto Tisi da Garofalo painted this Noli Me Tangere around 1526, depicting the post-Resurrection encounter between Christ and Mary Magdalene in the garden near the empty tomb. The subject was one of the most psychologically charged moments in the Passion narrative, the instant of recognition and gentle refusal when Christ tells the Magdalene not to touch him—his body now in the liminal state between physical and glorified existence. Garofalo's Raphaelesque formal clarity and warm Ferrarese palette give the encounter a quality of meditative stillness that emphasized the spiritual dimension of the moment over its dramatic narrative character. The garden setting—carefully depicted with the attention to natural detail characteristic of his devotional landscape backgrounds—created the morning atmosphere of the Resurrection's first light.

Technical Analysis

The garden setting creates an intimate space for the encounter between Christ and the Magdalene. Garofalo's warm palette and Raphaelesque figure types give the scene a gentle, contemplative quality.

See It In Person

Kunsthistorisches Museum

Vienna, Austria

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
56 × 73.3 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Kunsthistorisches Museum, Vienna
View on museum website →

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The Virgin and Child by Benvenuto Tisi da Garofalo

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Christ and the Samaritan Woman by Benvenuto Tisi da Garofalo

Christ and the Samaritan Woman

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La Vierge et l'Enfant avec une sainte martyre by Benvenuto Tisi da Garofalo

La Vierge et l'Enfant avec une sainte martyre

Benvenuto Tisi da Garofalo·1505

Beatrice and Isabella d'Este by Benvenuto Tisi da Garofalo

Beatrice and Isabella d'Este

Benvenuto Tisi da Garofalo·1503

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