Thomas Howard, Third Duke of Norfolk (1473-1554)

Dating to 1539, the portrait demonstrates Hans Holbein the Younger's command of formal portraiture, drawing on Hans Holbein the Elder. The work reflects the social importance of commissioned portraits in the Renaissance period, serving both as personal memento and public statement of status. The duke's portrait at the Royal Collection shows him holding the gold baton of the Earl Marshal and the staff of the Lord High Treasurer, symbols of his dual authority that Holbein renders with heraldic precision.

Oil on canvas, the portrait demonstrates Hans Holbein the Younger's command of precise draftsmanship and psychological penetration. The careful modeling of the face reveals close study of the sitter's physiognomy, while the treatment of costume and setting projects appropriate social standing.