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Samuel Johnson
Joshua Reynolds·1756
Historical Context
Reynolds painted Samuel Johnson around 1756, one of the earliest of several portraits he made of the great lexicographer, essayist, and literary critic. Johnson and Reynolds were the closest of friends — Johnson called Reynolds "the most invulnerable man I know" — and their thirty-year friendship was central to both men's lives. This early portrait shows Johnson before the completion of his Dictionary (1755) had made him the dominant figure in English letters. Now in the National Portrait Gallery, it documents the beginning of one of the great friendships in English cultural history.
Technical Analysis
Oil on canvas, the work demonstrates Joshua Reynolds's warm chiaroscuro and Grand Manner composition. The composition is carefully structured to balance visual elements, while the handling of light and color creates atmospheric coherence across the picture surface.
Look Closer
- ◆Notice Johnson's myopic squint and the intense concentration Reynolds captures — the portrait has the quality of a man reading very close to his face.
- ◆Look at the warm, deep Rembrandtesque modeling: Reynolds gives his closest friend the most psychologically penetrating treatment in his portrait output.
- ◆Observe the informal, slightly rumpled quality: this 1756 portrait precedes Johnson's fame and has the intimacy of a personal rather than formal commission.
- ◆Find the contrast with later portraits of the same sitter: compare this pre-Dictionary Johnson with the authoritative Dr. Johnson of the 1770s.
See It In Person
More by Joshua Reynolds
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The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair
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Lady Sarah Bunbury Sacrificing to the Graces
Joshua Reynolds·1763–65

Sir Thomas Rumbold, Bt.
Joshua Reynolds·1788
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Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham
Joshua Reynolds·1748



