ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Samuel Johnson by Joshua Reynolds

Samuel Johnson

Joshua Reynolds·1756

Historical Context

Reynolds painted Samuel Johnson around 1756, one of the earliest of several portraits he made of the great lexicographer, essayist, and literary critic. Johnson and Reynolds were the closest of friends — Johnson called Reynolds "the most invulnerable man I know" — and their thirty-year friendship was central to both men's lives. This early portrait shows Johnson before the completion of his Dictionary (1755) had made him the dominant figure in English letters. Now in the National Portrait Gallery, it documents the beginning of one of the great friendships in English cultural history.

Technical Analysis

Oil on canvas, the work demonstrates Joshua Reynolds's warm chiaroscuro and Grand Manner composition. The composition is carefully structured to balance visual elements, while the handling of light and color creates atmospheric coherence across the picture surface.

Look Closer

  • ◆Notice Johnson's myopic squint and the intense concentration Reynolds captures — the portrait has the quality of a man reading very close to his face.
  • ◆Look at the warm, deep Rembrandtesque modeling: Reynolds gives his closest friend the most psychologically penetrating treatment in his portrait output.
  • ◆Observe the informal, slightly rumpled quality: this 1756 portrait precedes Johnson's fame and has the intimacy of a personal rather than formal commission.
  • ◆Find the contrast with later portraits of the same sitter: compare this pre-Dictionary Johnson with the authoritative Dr. Johnson of the 1770s.

See It In Person

National Portrait Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
127.6 × 101.6 cm
Era
Rococo
Style
English Rococo
Genre
Portrait
Location
National Portrait Gallery, London
View on museum website →

More by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair

Joshua Reynolds·1761–66

Lady Sarah Bunbury Sacrificing to the Graces by Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces

Joshua Reynolds·1763–65

Sir Thomas Rumbold, Bt. by Joshua Reynolds

Sir Thomas Rumbold, Bt.

Joshua Reynolds·1788

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham by Joshua Reynolds

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

Joshua Reynolds·1748

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700