ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Robert Jenkinson, 2nd Earl of Liverpool by Thomas Lawrence

Robert Jenkinson, 2nd Earl of Liverpool

Thomas Lawrence·1790

Historical Context

Lawrence painted Robert Jenkinson, 2nd Earl of Liverpool, around 1790, depicting the future Prime Minister who would serve the longest continuous term in British history (1812-27). At the time of this portrait, Jenkinson was still a young man at the beginning of his political career, before the tremendous responsibilities of leading Britain through the final years of the Napoleonic Wars and the turbulent postwar period. Lawrence's youthful portrait captures the intelligence and reserve that contemporaries noted in Liverpool's character. Now in the National Portrait Gallery, the painting documents the early career of one of Britain's most consequential if underappreciated Prime Ministers.

Technical Analysis

Lawrence presents the young politician with his characteristic refined elegance, using subtle tonal modulations and soft brushwork. The restrained composition and dark palette suit the gravity of the sitter's political ambitions.

Look Closer

  • ◆Notice the youthful intelligence Lawrence captures in the future Prime Minister: the portrait shows Jenkinson before the weight of office settled on him.
  • ◆Look at the refined elegance of the composition: Lawrence gives even an early-career politician the formal dignity appropriate to his eventual rank.
  • ◆Observe the restrained dark palette: Lawrence calibrated his compositions to the sitter's character — Liverpool's reserve demanded understatement.
  • ◆Find the penetrating gaze: Lawrence consistently used direct eye contact to project the mental engagement that would define Liverpool's long premiership.

See It In Person

National Portrait Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
127 × 101.6 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
National Portrait Gallery, London
View on museum website →

More by Thomas Lawrence

Isabella Wolff by Thomas Lawrence

Isabella Wolff

Thomas Lawrence·1803–15

Anna Maria Dashwood, later Marchioness of Ely by Thomas Lawrence

Anna Maria Dashwood, later Marchioness of Ely

Thomas Lawrence·c. 1805

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby by Thomas Lawrence

Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby

Thomas Lawrence·1790

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894) by Thomas Lawrence

The Calmady Children (Emily, 1818–?1906, and Laura Anne, 1820–1894)

Thomas Lawrence·1823

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770